Introduce Evelina De Castro (Museo Riso)

Collegamento online con l鈥檃rtista Marina Sagona

Intervengono Teresa Fiore (麻豆传媒在线, USA) e Clelia Bartoli (Universit脿 degli Studi di Palermo)

Mercoledi 27 maggio ore 18.00
Museo Riso (Museo regionale d鈥橝rte Moderna e Contemporanea di Palermo)听
Via Vittorio Emanuele, 365 – Palermo
Ingresso libero

La proiezione del video di Marina Sagona Diritto di Sangue – Rovescio di Sangue (2025) sar脿 l鈥檕ccasione per uno scambio sull鈥檌mpostazione della legge sulla cittadinanza italiana e sulle contraddizioni che genera nel trattamento degli immigrati in Italia, rispetto ai discendenti italiani nel mondo. Fondata sullo ius sanguinis, la legge crea un doppio binario, come registrato dalle interviste contenute nel video, in termini di diritti garantiti e diritti difficilmente concessi o negati, con conseguenze sulla societ脿 italiana e sulle relazioni internazionali. Nell鈥檌nvitare, appunto, a leggere la legge nella sua complessit脿 attraverso l鈥檃rte contemporanea, l鈥檌ncontro si propone di offrire riflessioni su identit脿, appartenenza e convivenza nel presente, grazie all鈥檃nalisi della storia migratoria e coloniale italiana.

– artista (DIRITTO DI SANGUE -ROVESCIO DI SANGUE)

Teresa Fiore 猫 professore ordinario (Cattedra Inserra di studi italiani e italo-americani) presso la 麻豆传媒在线, e ha anche insegnato ad Harvard, Yale e NYU. I suoi progetti sulle migrazioni e sull鈥檈redit脿 coloniali italiane hanno ricevuto riconoscimenti da istituzioni come Fulbright, Rockefeller e NEH. Autrice del pluripremiato libro Spazi pre-occupati: Una rimappatura delle migrazioni transnazionali e delle eredit脿 coloniali italiane (Mondadori, 2021), ha pubblicato in pi霉 lingue su riviste, cataloghi e volumi, contribuendo a ridefinire i confini del pensiero migrante. Nel 2019 猫 stata insignita del titolo di Cavaliere dell鈥橭rdine della Stella d鈥橧talia per il suo lavoro di diplomazia culturale tra Italia e Stati Uniti attraverso il coordinamento di programmi culturali che valorizzano regolarmente anche la Sicilia ().

Clelia Bartoli, docente di Diritti umani e politiche migratorie presso il Dipartimento di Giurisprudenza dell’Universit脿 di Palermo, coordina il corso di Laurea magistrale in 鈥淢igration, Rights, Integration鈥�. Ha condotto diverse ricerche-azione partecipative che combinano etnografia, diritto, filosofia e educazione sperimentale. Di recente ha coordinato i lavori di scrittura dal basso di una legge sui servizi per le dipendenze patologiche, approvata all鈥檜nanimit脿 dal parlamento siciliano (Legge 26/2024). 脠 autrice di diversi volumi, tra cui: Razzisti per legge. L鈥橧talia che discrimina (2012); Legal clinics in Europe. For a commitment of higher education in social justice (2016); Inchiesta a Ballar貌. Il diritto visto dal margine (2019); Chile Revolts: from the Uprisings Toward the Constitutional Process (2022).

Presentato per la prima volta con la curatela di Teresa Fiore all’interno di una mostra all鈥檈x-carcere di Agrigento in occasione di Agrigento 2025 Capitale italiana della cultura (con l’ospitalit脿 di , con il sostegno di Fondazione 2025, Ministero Italiano della Cultura, Regione Siciliana e la co-sponsorizzazione dell鈥橧nserra Chair in Italian and Italian American Studies della 麻豆传媒在线, USA), il video Diritto di Sangue – Rovescio di Sangue di Marina Sagona (20 min., canale unico, colore, suono) 猫 al momento inserito nell鈥� organizzato e prodotto dal Museo delle Periferie a Roma.

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Linked to a class on Italian American film taught by the director Dr. Fulvio Orsitto that explores issues of the mixed cultural identity of Italian immigrants and descendants in the U.S., the talk allowed the students to explore how this identity was further complicated as Italian descendants were sent back to Italy as fighting soldiers and governing officers of the AMGOT (Allied Military Government Occupied Territories). Included in President Roosevelt’s strategy of turning the American forces from enemies to relatives, this approach proved to be successful as illustrated in the Pulitzer-Prize-winning novel A Bell for Adano by John Hersey (1944) and its film adaptation by Henry King (1945), which were at the core of Fiore’s talk for the attention they also pay to food availability during the war.

The second part of the talk was an interactive session in which students were invited to look at Fiore’s gallery of video clips about food practices around the time of the Landing. The students’ comments and questions about the interviews with direct witnesses of the war opened up a debate about content and methodological issues, from the differences in food access depending on social class and geographical location to the tension between actual experience and recollection, as well as institutional historiographic reconstruction and propaganda about hunger and feeding.

The talk was part of Fiore’s current sabbatical project titled听鈥淢emories of the Landing,鈥�听the in-progress documentary that she is working on in collaboration with Awen Films.

Given the goal of this original radio program, which literally brings our students and equipment to the nearby community to connect with local listeners and boost MSU engagement off campus, WMSC chose an Italian spot, in Pompton, NJ. The interviewer, Allen Macaraeg, addressed questions to Prof. Teresa Fiore (Inserra Chair in Italian and Italian American Studies, Italian program, CHSS), Prof. Lori McCaan (Voice Program Cali School, CART) and our special guest from Agrigento, in the region of Sicily, composer and director , to explore the different aspects of this exciting multi-phase initiative.

In the course of a lively exchange with Allen, Fiore explained the history of the project, born from Savatteri鈥檚 first visit on campus in Nov. 2024, and unfolding through three workshops with our students, a two-month summer internship in Sicily for three Opera and Musical Theatre students in 2025, and the March 27, 2026 Public Reading bringing together members of the Savatteri company and MSU students. McCann, also on behalf of Prof. Ryan Kasprzak (Musical Theatre, CART) highlighted the importance of the internationalization of the curriculum for 麻豆传媒在线 students in the Performing Arts, especially those in Opera and Musical Theatre: Italian constitutes a key language for their training and career opportunities.

Savatteri commented on the ancient and yet incredibly contemporary content of a musical that carries the timeless lessons of classical mythology. Precisely because of this eternal quality, Savatteri was excited to bring the musical from the UNESCO World Heritage site The Valley of the Temples of Agrigento – where the show is presented in front of the 5^th-century BC Tempio della Concordia – to the United States and have it speak English, thanks to the translation of the 2025 intern and Opera student, Brianna Coppolino. Her precise and poetic version was completed under the supervision of Prof. Trubiano (Italian program) and encapsulates the type of translation of knowledge, talent, experience, languages and cultures that the overall initiative activates in three departments (Musical Theatre, Voice at the Cali School of Music, and Italian), two colleges (CART and CHSS), two kind of entities (public university and private company ) and effectively locations in two continents, 麻豆传媒在线 (USA) and Agrigento (Italy).

Sponsored by the Inserra Chair in Italian and Italian American Studies, in collaboration with the Cali School of Music, the , , and , this international intercollege initiative reflects the Expand Reach and Amplify Impact commitment of 麻豆传媒在线’s mission: “Increase global engagement by creating international experiences, broadening access to 麻豆传媒在线 programs and promoting a global mindset.”

Special thanks to Communications and Media major, Allen Macaraeg, and his team of students from the award-nominated WMSC radio, supervised by Annabella Poland, who joined at Caf猫 classico for a cappuccino. And a special “grazie” to the owners of Caffe classico for their hospitality and generosity. It’s always nice to find arancine and cannoli on the other side of the Atlantic after a long flight from Sicily!

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Blending excerpts from audiovisual archival material, literary sources, and original video-interviews with direct witnesses of the 1943 Allied Landing in Sicily, the presentation read a largely forgotten pivotal historical event of WWII through the lens of foodways. In Fiore’s approach, as a memory and narrative device, food allows for an alternate history of the liberation campaign through complicating both the myth of the Land of Abundance incarnated by the U.S. military forces and the image of a destitute Sicily that the Americans embraced.

Included in the Jerre Mangione Lecture Series and sponsored by the Center for Italian Studies, the lecture fostered a lively debate among graduate students and faculty alike with a mix of touching family recollections, intellectual curiosity towards the subject, and careful inquiry about the research methodology.

This ever-expanding site available in both and , and configured in mobile-friendly mode accessible via cell phone, is an aggregator of pre-existing forms of knowledge as well as new textual, video, and audio material, gathered in collaboration with professors of the University of Palermo (including the Agrigento branch, Polo Territoriale), environmentalist guides, chefs, photographers, architects, local residents, etc., and co-implemented with Ph.D. students Giacomo Frazzetta and Do臒a Tekin. The project was co-sponsored by the Agrigento 2025 Foundation, the Italian Ministry of Culture, the Region of Sicily, the Municipality of Agrigento, the Inserra Chair (麻豆传媒在线), and UCLA, with the logistical support of the Municipality of Realmonte.

The project has already been covered in other media: , , and .

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City Hall of Agrigento, Piazza Pirandello, 1 鈥� Multimedia room (inside the atrium on the right)
December 1-31, 2025 Hours: Mon-Fri 10am-6pm Saturday 10am-1pm
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Guided tour: Sunday Dec. 28 at 5:30pm in the courtyard of City Hall, Agrigento. The main actress, Lucia Cammalleri, originally from Canicatt矛 (Agrigento) will be in attendance. A light thematic tasting will be prepared by the pastry baker Federica Farruggia (Casa Barbadoro). We will write postcards to the artist currently in New York City.

Through an experimental narrative, the film tells the journey to the United States of the protagonist, a Sicilian woman forced to emigrate to the USA with an imposed arranged marriage, leaving behind a partner and her children. As such, the woman becomes 鈥渙ther鈥� both with respect to the world she comes from and that of Lawrence, Massachusetts, in which she finds herself living after crossing the ocean. The theme of the video is highly relevant to the Agrigento 2025 dossier, entitled 鈥淭he Self, the Other and Nature: Cultural Relations and Transformations鈥� and places emphasis on the gender issue, in a province characterized by strong emigration, including female emigration, both in the past and today.

This work by Maria Rapicavoli is inspired by the words of Simone de Beauvoir in the 1949 essay “La donna like other:” its opening to the public takes place only one week after the International Day for the Elimination of Violence against Women on November 25, established by the United Nations General Assembly in 1999.

The other: A familiar story is an installation included in the SPONDE project, within Agrigento Capital of Culture 2025, with the support of the Ministry of Culture, the Agrigento Capitale Foundation, the Sicilian Region, the Municipality of Agrigento, and the Inserra Chair in Italian and Italian American Studies at 麻豆传媒在线.

Dr. Fiore shared information about the condition of Italian Americans at the time of Pearl Harbor and described their paradoxical experience of being at once “enemy aliens” in 1942 and supporters of the military efforts with the drafting of large numbers of soldiers of Italian descent, while also being concerned about the fate of their relatives back in the country of origin, since Italy was an enemy up to the Landing. Dr. Fiore also illustrated how the 82nd anniversary of the Landing was celebrated in Licata as part of the programs of Agrigento Capital of Culture 2025. Since the main topic of the evening was indeed the cultural value of the memory of the Landing as part of public history projects, she provided a model that embraces a multi-disciplinary approach in line with the mission of and its Italian chapter, (see SBARCO).

Data: Sabato 13 dicembre
Luogo: Sala Consiliare del Comune di Realmonte (Via Roma, 19) – Parcheggio in via Piazza Vecchia per accedere dall’ingresso principale del Municipio oppure via Venezia per accedere direttamente alla Sala Consiliare attraverso le scale e la terrazza belvedere.

Il sito di mappatura spessa offre percorsi di visita alternativi nella zona dell鈥檌conica Scala dei Turchi. Attraverso una lettura multispecie e multidisciplinare del luogo, attenta a botanica, biologia marina, geologia, gastronomia, cinema e letteratura, il sito invita a entrare in un mondo di storie umane e non, ben pi霉 complesso della nota localit脿 balneare, e a proteggere con cura e sapienza questo luogo tanto spettacolare quanto fragile. DESCRIZIONE DETTAGLIATA DEL PROGETTO

Ore 10-11:30 Illustrazione e lancio del sito (Prof. in collegamento da UCLA e Prof.ssa Teresa Fiore in presenza)
Ore 12-14 Visita della Scala dei Turchi con pranzo a sacco offerto dall’organizzazione
Guide: , guida naturalistica, e , educatore ambientale

Evento gratuito aperto al pubblico con pranzo a sacco incluso. Numero massimo 50 persone con previa prenotazione obbligatoria. La partecipazione alla presentazione soltanto, senza il pranzo a sacco e la visita, non richiede prenotazione.Per la prenotazione, si prega di riempire questo .

Il sito, configurato anche in modalit脿 mobile-friendly accessible via cellulare, 猫 un progetto co-ideato e co-realizzato dal Prof. Vetri Nathan (UCLA) e della Prof.ssa Teresa Fiore (麻豆传媒在线) con il supporto dell’assistente di ricerca Dott. (UCLA) e con i contributi di professori e professoresse di UNIPA, guide ambientaliste, chefs, residenti locali, ecc. Per la descrizione completa del progetto nelle sue varie fasi si veda la pagina web.

Un evento incluso听nel progetto , all’interno di , con la co-sponsorizzazione dell’Inserra Chair in Italian and Italian American Studies (麻豆传媒在线), UCLA (University of California Los Angeles) e il , con il sostegno del Ministero della Cultura, della Fondazione Agrigento Capitale, della Regione Siciliana e del Comune di Agrigento, con i contributi scientifici dell’Universit脿 degli Studi di Palermo e del Polo Territoriale Universitario di Agrigento, e con l’ospitalit脿 del Comune di Realmonte.

NB: In caso di maltempo, la visita della Scala non si svolger脿 e il pranzo a sacco verr脿 sostituito da un aperitivo. La prenotazione resta valida a prescindere dalle condizioni del tempo.

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Based on her sabbatical research on foodways at the time of the Allied Landing in Sicily (1943), the paper revises the narrative of the American forces feeding Sicilians through the use of eighteen interviews with direct witnesses and scholars sharing stories about the stark contrast between the local wartime food and the industrial food brought by the soldiers from the US. See webpage.

Prof. Cinotto introduced Dr. Fiore’s talk providing special insights into the impact of the landing in Italy in terms of U.S. control of the economic and socio-political sphere.听The students鈥� questions during the Q&A revealed a keen interest in historical issues, in methodological aspects linked to oral history, and in the encounter of cultures during wartime.

UNISG has an institutional commitment to videos about food. Its film archive directed by Dr. Gabriele Proglio, is devoted to oral history about food, food history, food practices, etc.

UNISG is a private university linked to Slow Food, the movement founded by Carlo Petrini in 1986. Focused on food and sustainability, the academic approach privileges collaborative hands-on projects ranging from cooking, cook-book writing, market visits, food history research, eco-agronomy techniques, etc.

The UNISG campus is a World-Heritage (UNESCO) site with its distinctive historical buildings, imposing towers, elegant courtyards, printing office for student-managed publications, student-tended fruit and vegetable gardens, and a unique cafeteria that largely relies on the produce cultivated on campus. All under the watchful eye of the snail, the Slow Food symbol, under no time pressure.