![\"Renzo](\"http:\/\/www.montclair.edu\/inserra-chair\/wp-content\/uploads\/sites\/71\/2017\/12\/piano-triptych-500x98-300x59.png\")
<\/h2>\n<\/h2>\nwith\u00a0Martin Filler<\/strong><\/a>\u00a0(Architecture Critic,\u00a0The New York Review of Books<\/em>) and Prof.\u00a0Kenneth Frampton\u00a0<\/a><\/strong>(Columbia University), moderated by Arch.Giovanni Santamaria<\/strong><\/a>\u00a0(New York Institute of Technology). Introduced by\u00a0Teresa Fiore<\/a><\/strong>\u00a0(Inserra Chair, MSU).<\/p>\n Thursday, September 26, 2013 See media coverage of this event<\/a><\/p>\n After providing an overview of Renzo Piano\u2019s career spanning almost four decades from the Centre Pompidou in Paris (1977) to the Shard in London (2012), this panel focuses on the legacy of Italian humanism in his projects and on his role in the architecture of the 20th and 21st centuries. Special emphasis will be placed on the New York City projects, both completed and in progress.<\/p>\n <\/a>About Martin Filler (Architecture Critic, The New York Review of Books) This\u00a0event\u00a0is part of\u00a02013 Year of Italian Culture in the United States,<\/span>\u00a0an initiative held under the auspices of the President of the Italian Republic, organized by the Ministry of Foreign Affairs and the Embassy of Italy, and supported by the Corporate Ambassadors Eni and Intesa Sanpaolo<\/em><\/p>\n The Humanistic Legacy in Renzo Piano\u2019s Architecture: A Panel with\u00a0Martin Filler\u00a0(Architecture Critic,\u00a0The New York Review of Books) and Prof.\u00a0Kenneth Frampton\u00a0(Columbia University), moderated by Arch.Giovanni Santamaria\u00a0(New York Institute of Technology). Introduced by\u00a0Teresa Fiore\u00a0(Inserra Chair, MSU). Thursday, September 26, 2013 6:00 – 8:00 PM 麻豆传媒在线 University Hall Conference Center (7th Floor) Free and open to […]<\/p>\n","protected":false},"author":20,"featured_media":1307,"parent":388,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-390","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/pages\/390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/comments?post=390"}],"version-history":[{"count":3,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/pages\/390\/revisions"}],"predecessor-version":[{"id":209197,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/pages\/390\/revisions\/209197"}],"up":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/pages\/388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/media\/1307"}],"wp:attachment":[{"href":"https:\/\/www.montclair.edu\/inserra-chair\/wp-json\/wp\/v2\/media?parent=390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n6:00 – 8:00 PM
\n麻豆传媒在线
\nUniversity Hall Conference Center (7th Floor)<\/a>
\nFree and open to the public<\/p>\n\n
\nA graduate of Columbia University (Art History), Filler is a prominent architecture critic and author of the widely-praised Makers of Modern Architecture, a two-volume collection of his writings on modern architecture that are based on essays written for the NYRB since 1985. An essay on Renzo Piano’s works appear in each volume. An active contributor on topics related to art, architecture and design in newspapers, blogs, and magazines including The New York Times, The New Republic, and Art in America, Filler was an editor of the magazine House and Garden for nearly thirty years. He has also guest curated exhibits on American Design for the Whitney and the Brooklyn Museums. In 2003 he was elected a fellow of the American Academy of Arts and Sciences.
\n<\/a>About Prof. Kenneth Frampton (Columbia University)<\/strong>
\nFrampton is a British architect, critic, historian and Ware Professor of Architecture at Columbia University\u2019s Graduate School of Architecture, Planning and Preservation (GSAPP), where he has taught since 1972. His many influential publications include the books\u00a0Modern Architecture: A Critical History (1980),<\/em>Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture<\/em>\u00a0(1995), and\u00a0Labour, Work and Architecture: Collected Essays on Architecture and Design<\/em>\u00a0(2002); along with a famous 1983 article \u201c”Towards a Critical Regionalism.” He has also taught at Princeton University (1966\u201371) and at the Bartlett School of Architecture, London. In 1972 he became a fellow of the Institute for Architecture and Urban Studies in New York and a co-founding editor of its magazine\u00a0Oppositions<\/em>. An expert on modernism, Frampton has written on Piano in a variety of occasions, notably for the book\u00a0The Renzo Piano Logbook<\/em>\u00a0(1997).
\n<\/a>About Arch. Giovanni Santamaria (New York Institute of Technology, Manhattan campus)
\nSantamaria earned his degree in Architecture from the I.U.A.V. of Venice and a Ph.D. in Architecture and Urban Design from the Politecnico di Milano. At NYIT he has been teaching several urban and regional design studios since 2007 and co-created the International Exchange Program with the Politecnico di Milano. The key focus of his research is the shift of the Urban Design perspective towards a more articulated concept of Landscape Urbanism\/Architecture that integrates historical and geographical environments with sophisticated technologies and alternative energy processes. The recipient of awards and special mentions for design projects, he participated in many exhibits, including the Venice Biennale. He is the author of New York-Milano: Disegno della citt\u00e0 per la regione urbana and a variety of essays published in books and architecture magazines.<\/p>\n![\"Year](\"http:\/\/www.montclair.edu\/inserra-chair\/wp-content\/uploads\/sites\/71\/2017\/12\/2013-Italian-Year-Embassy-Logo.jpg\"){kind=logo}
![\"Intesa](\"http:\/\/www.montclair.edu\/inserra-chair\/wp-content\/uploads\/sites\/71\/2017\/12\/intesa-sanpaolo-logo-218x30.png\"){kind=logo}
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