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For someone who once believed he had missed his moment, Jason Cameron is about to have a big one. On Monday, May 11, at �鶹��ý����’s 2026 Commencement, the 46‑year‑old will earn his Master of Fine Arts in Dance and address the crowd as the Graduate Student speaker.

Cameron has danced around the world, but never in a venue as large as Prudential Center in Newark, where 4,251 students will receive their diplomas over two ceremonies.

“I’m not going to be able to have a dress rehearsal, so I’m trying to put myself in a place of calm,” Cameron says.

For him, though, this moment is as much about what comes next as what happens on stage. Drawing on those years as a performer, his MFA work at �鶹��ý���� has focused on how that experience can translate into teaching – using everyday gestures to make dance more accessible and to expand what “counts” as dance.

Expanding what counts as dance

Much of his graduate research has explored everyday actions as choreographic material, starting with familiar movement and building layered performance out of it. 

“I’ve spent much of my life hearing people say they can’t dance, that they have two left feet, or that dance is only for the trained,” he says. “As an artist, I’ve become increasingly committed to challenging those beliefs and to expanding how dance is understood, created and experienced.”

His culminating project, Again, But Different, built an entire performance from familiar movement. Dance Professor Elizabeth McPherson, MFA Dance coordinator, says Cameron “approached every single assignment with insight and depth of thinking, often bringing in personal examples from his own teaching practice.” His thesis, she notes, used everyday gestures – often in humorous ways – “to show just how meaningful they can be when structured for performance.”

From stage to classroom

For Cameron, turning ordinary actions into choreography is another way to invite people in, and �鶹��ý����’s low‑residency MFA in Dance gave him the structure to pursue that work. The two‑year program features asynchronous online study and summers spent inside the �鶹��ý���� dance studios. 

“We were sweating and moving and doing all the creative practices that we could physically,” mixed with academics in dance technology and media, anatomy and movement analysis.

�鶹��ý���� also let him step into the role he’d been working toward by giving him classroom experience teaching Dance Appreciation to undergraduates. 

I’m in such a happy place now. I’ve found that, at an older age, I can still be on stage, but that’s not my main focus. My main focus is to be an educator, to enjoy the benefits of being a dance professor.”

From Nutcracker kid to Commencement speaker

The roots of that commitment go back to his childhood in Lynn, Massachusetts. His parents, Paul and Claire Brewer, got him into lessons after he began dancing around the house, mimicking The Nutcracker’s Rat King. “My parents worked hard and made sacrifices so I could have opportunities to dance. My dad even sanded the studio floors at my dance school and took on extra work to help make my training possible,” he says.

“When I say I’d missed my moment, I tried one year of college at SUNY Purchase’s Conservatory of Dance right out of high school,” Cameron says. “Fourteen thousand dollars for out‑of‑state tuition was just too much for my family. I also wasn’t very focused. I just wanted to dance professionally.”

At 20, he left for Florida to take a job at Busch Gardens in Tampa. “I ended up staying with that company for almost 12 years, working on cruise ships, dancing around the world, and being a production corporate dancer,” he says.

From performer to pedagogue

After moving back to Boston, teaching was always in the back of his mind, but he refused to do it halfway. “I knew that when I was going to teach, I wanted to do it correctly, and I knew I needed an education to do that,” he says. “That’s not hyperbole.”

That chance came when his husband, Kell Cameron, a business school professor, got a job at the University of South Florida and Jason enrolled at Hillsborough College, a nearby community college, giving him affordable access to general education classes and dance coursework. 

“Once I got this academic bug, I couldn’t stop,” he says. He transferred to the University of Tampa on scholarship, drawn to its focus on pedagogy. From there, his sights turned north.

“�鶹��ý���� was what I’d had my mind set on for quite a while,” he says. “Their reputation in our little dance world is phenomenal.”

When he thinks about how far he’s come, his mind goes back to those early living‑room Nutcracker performances before he ever set foot in a studio. From there to world dance tours and now earning a Master of Fine Arts to become a teacher, Cameron says, “Dance is just a part of my being.”

“I’m just not kicking my face and doing triple pirouettes and all that kind of jazz much on stage anymore.”

This story is part of a series celebrating �鶹��ý����’s graduates – students who embody the University’s mission to broaden access to exceptional learning opportunities and contribute to the common good.